{"id":2164,"date":"2020-11-01T23:12:47","date_gmt":"2020-11-01T21:12:47","guid":{"rendered":"https:\/\/sateenkaarihistoria.fi\/?p=2164"},"modified":"2023-02-25T14:24:02","modified_gmt":"2023-02-25T12:24:02","slug":"arbetarmuseet-werstas-museiobjektet-bar-med-sig-budskap","status":"publish","type":"post","link":"https:\/\/sateenkaarihistoria.fi\/sv\/arbetarmuseet-werstas-museiobjektet-bar-med-sig-budskap\/","title":{"rendered":"Arbetarmuseet Werstas: Museiobjektet b\u00e4r med sig budskap"},"content":{"rendered":"\n
\"\"
Bild: Arbetarmuseet Werstas<\/figcaption><\/figure>\n\n\n\n

Med bomullshandskar lyfter jag en ljusbl\u00e5 Triumph sport-bh av konstmaterial ur l\u00e5dan, placerar den p\u00e5 fotobordet, fotograferar och m\u00e4ter den och inspekterar dess skador. Lite senare syr jag fast i den ett vitt kantband, p\u00e5 vilket jag har skrivit objektnummer och packar sedan beh\u00e5n i silkespapper i en l\u00e5da. Jag transporterar l\u00e5dan till textilf\u00f6rr\u00e5det.<\/p>\n\n\n\n

N\u00e4r jag g\u00e5r till datorn f\u00f6r att mata in information om f\u00f6rem\u00e5let tar jag fram den information som donatorn gett. I st\u00e4llet f\u00f6r om sport ber\u00e4ttar givaren en historia om att binda br\u00f6st fr\u00e5n en tid d\u00e5 hen \u00e4nnu inte var medveten om riktiga \u201dbinders\u201d, toppar utformade f\u00f6r att f\u00e5 br\u00f6stet att se platt ut. Beh\u00e5n jag h\u00e5ller i min hand tar oss med p\u00e5 en svindlande resa fr\u00e5n ett privat plagg till kroppslighet, identitet och hur v\u00e5rt samh\u00e4lle producerar och ser p\u00e5 k\u00f6n. De ber\u00e4ttar en tillv\u00e4xthistoria om att \u00f6verleva i vardagen och hitta sig sj\u00e4lv.<\/p>\n\n\n\n

Svarta byxor med fickor p\u00e5 benen, l\u00e4ngd 98 cm, bredd 61 cm, bomull. Med hj\u00e4lp av byxor som ser vardagliga ut f\u00e5r vi en inblick i Ule\u00e5borg vid millennieskiftet: \u201d..n\u00e4r jag blev medveten om min fr\u00e5n normen avvikande identitet, var jag lyckligt omedveten om kl\u00e4dkoder. Jag v\u00e5gade g\u00e5 p\u00e5 Setas fester i Ule\u00e5borg f\u00f6r f\u00f6rsta g\u00e5ngen v\u00e5ren 2001. N\u00e4r jag gick in genom d\u00f6rren till Hilikku, en bokad restaurang, fann jag mig sj\u00e4lv vara den enda kvinnan som hade kjol p\u00e5 sig . Min r\u00f6da minikl\u00e4nning och mitt l\u00e5nga h\u00e5r skiljde mig tydligt fr\u00e5n resten av m\u00e4ngden. F\u00f6r n\u00e4sta fest kunde jag redan kl\u00e4 mig i svarta cargobyxor (fi. reisitaskuhousut) och topp och sm\u00e4lta in b\u00e4ttre i gruppen. Allt jag bar i axelv\u00e4skan vid andra tillf\u00e4llen kunde packas i l\u00e5rfickorna, f\u00f6r handv\u00e4skan var inte en del av accessoaren f\u00f6r en kvinna som gillade kvinnor vid den tiden. \u201d<\/p>\n\n\n\n

Kl\u00e4ddonatorns ber\u00e4ttelse belyser anv\u00e4ndningen av kl\u00e4der som ett s\u00e4tt att skilja sig fr\u00e5n en grupp och tillh\u00f6ra en annan. Byxorna som finns i museet och ber\u00e4ttelsen som h\u00f6r samman med dem f\u00f6rblir v\u00e5r nyckel till detta fenomen. S\u00e5dana \u00e4r de b\u00e4sta museif\u00f6rem\u00e5len; de ger information om v\u00e5rt samh\u00e4lle genom att l\u00e5ta oss uppleva och leva oss in i ett \u00f6gonblick av ett unikt minne.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Genom kl\u00e4derna har k\u00f6ns- och sexuella minoriteter skapat en slags motkultur genom att g\u00f6ra kl\u00e4derna sj\u00e4lva, modifiera det som erbjuds och bryta de traditionella gr\u00e4nserna f\u00f6r vem vilket kl\u00e4desplagg h\u00f6r. Genom att ge nya betydelser \u00e5t Bandana-halsdukar, l\u00e4derst\u00f6vlar, kepsar och m\u00e5nga andra kl\u00e4der och accessoarer har queerfolk r\u00f6jt sig ut ur den marginal de tidigare har st\u00f6tts ut i.<\/p>\n\n\n\n

Karnevaler, Prideparader och fester har ofta kr\u00e4vt fr\u00e4ckare kl\u00e4der. Lekfullhet, mod och starka f\u00e4rger i kl\u00e4derna ber\u00e4ttar om den gemensamma gruppens styrka, gl\u00e4dje och livslust. \u00c4ven om dessa kl\u00e4desplagg inte alltid \u00e4r de enklaste att bevara p\u00e5 ett museum, och fast den som katalogiserar ibland k\u00e4nner till och med ett uns av f\u00f6rtvivlan \u00f6ver \u00f6mt\u00e5liga konstfibermaterial och kombinationer av olika material, kompenserar ber\u00e4ttelsen bakom dem all m\u00f6da. N\u00e4r hela kl\u00e4dseln och dessutom fotografier p\u00e5 dess anv\u00e4ndning finns tillg\u00e4ngliga f\u00f6r att st\u00f6dja ber\u00e4ttelsen \u00e4r museiarbetaren n\u00f6jd. \u00c5terigen \u00e4r en liten men betydande del av queerhistorien bevarad.<\/p>\n\n\n\n

Arbetarmuseet Werstas,
chef \u00f6ver samlingarna Leena Ahonen 
leena.ahonen@tyovaenmuseo.fi
(tel. 050-4401164)
\u00f6vers. Marina Giljam<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Med bomullshandskar lyfter jag en ljusbl\u00e5 Triumph sport-bh av konstmaterial ur l\u00e5dan, placerar den p\u00e5 fotobordet, fotograferar och m\u00e4ter den och inspekterar dess skador. Lite senare syr jag fast i den ett vitt kantband, p\u00e5 vilket jag har skrivit objektnummer och packar sedan beh\u00e5n i silkespapper i en l\u00e5da. Jag transporterar l\u00e5dan till textilf\u00f6rr\u00e5det.<\/p>\n","protected":false},"author":23,"featured_media":4779,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","neve_meta_sidebar":"","neve_meta_container":"default","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"[\"title\",\"meta\",\"tags\",\"content\"]","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[263,264,270],"tags":[],"ppma_author":[201],"class_list":["post-2164","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-inlagg","category-presentationer","category-webbtidning"],"yoast_head":"\nArbetarmuseet Werstas: Museiobjektet b\u00e4r med sig budskap - Sateenkaari\u00adhistorian yst\u00e4v\u00e4t<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sateenkaarihistoria.fi\/sv\/arbetarmuseet-werstas-museiobjektet-bar-med-sig-budskap\/\" \/>\n<meta property=\"og:locale\" content=\"sv_SE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arbetarmuseet Werstas: Museiobjektet b\u00e4r med sig budskap - Sateenkaari\u00adhistorian yst\u00e4v\u00e4t\" \/>\n<meta property=\"og:description\" content=\"Med bomullshandskar lyfter jag en ljusbl\u00e5 Triumph sport-bh av konstmaterial ur l\u00e5dan, placerar den p\u00e5 fotobordet, fotograferar och m\u00e4ter den och inspekterar dess skador. 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